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Titlebook: Cinematic Urban Geographies; François Penz,Richard Koeck Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 cinema.film.filmma

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书目名称Cinematic Urban Geographies
编辑François Penz,Richard Koeck
视频video
概述Explores critical perspectives on and changes that have occurred in the study of film in the context of urban geographies.Introduces novel approaches and various perspectives to understand the portray
丛书名称Screening Spaces
图书封面Titlebook: Cinematic Urban Geographies;  François Penz,Richard Koeck Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 cinema.film.filmma
描述.This book proposes new methodological tools and approaches in order to tease out and elicit the different facets of urban fragmentation through the medium of cinema and the moving image, as a contribution to our understanding of cities and their topographies. In doing so it makes a significant contribution to the literature in the growing field of cartographic cinema and urban cinematics, by charting the many trajectories and points of contact between film and its topographical context. Under the influence of new technologies, the opening and the availability of previously unexplored archives but also the contribution of new scholars with novel approaches in addition to new work by experienced academics, .Cinematic Urban Geographies .demonstrates how we can reread the cinematic past with a view to construct the urban present and anticipate its future. .
出版日期Book 2017
关键词cinema; film; filmmaking; architecture; cities; geography; topography; maps; mapping; locative media; visual c
版次1
doihttps://doi.org/10.1057/978-1-137-46084-4
isbn_ebook978-1-137-46084-4
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
The information of publication is updating

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The Cine-Tourist’s Map of New Wave Parist and what would it tell us. The usefulness of maps in films is contrasted with the usefulness of maps of films. The mapping of shared locations, and of the New Wave’s shared world more generally, is read as an intertextual practice. Consideration is given to whether a map of New Wave Paris should i
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The Cinematic , as a Site of Postmemoryfoundly spatial phenomenon; an aspect of the study of film and the Holocaust which has hitherto played a minor role in the literature. In particular, this chapter investigates the . as a cultural matrix in the memorialisation of the murdered Jews of Poland and includes a focus on survivors’ return j
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